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Camille Pissaro The Hermitage at Pontoise 1867 59 5/8 x 79 in (151.4 x 200.6 cm)
Solomon R Guggenheim Museum, New York
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Camille Pissaro The Hermitage at Pontoise 1867 59 5/8 x 79 in (151.4 x 200.6 cm)
Solomon R Guggenheim Museum, New York
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Camille Pissaro Landscape at Chaponval 1880 Musee d'Orlay, Paris
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Camille Pissaro Self Portrait 1873 Musee d'Orlay, Paris
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Camille Pissaro Countryside and Eragny Church and Farm 1895 Musee d'Orlay, Paris
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Camille Pissaro Kitchen Garden with Trees in Flower, Pontoise 1877 Musee d'Orlay, Paris
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Camille Pissaro Hoarfrost 1873 Musee d'Orlay, Paris
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Camille Pissaro The Old Market Town at Rouen 1898 The Metropolitan Museum of Art, New York
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Camille Pissaro Hyde Park, London 1890
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Camille Pissaro Kew, The Path to the Main Conservatory 1892
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Camille Pissaro Resting in the Woods at Pontoise 1878 Kunsthalle, Hamburg
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Camille Pissaro Portrait of Madame Pissarro Sewing near a Window 1878-79 Ashmolean Museum, Oxford
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Camille Pissaro Sunlight on the Road, Pontoise 1874 Museum of Fine Arts, Boston
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Camille Pissaro Morning Sunlight on the Snow, Eragny sur Epte 1895 Museum of Fine Arts, Boston
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Camille Pissaro Sunset at St. Charles, Eragny 1891 Sterling & Francine Clark Art Institute, Williamstown, Mass
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Camille Pissaro Louveciennes : The Road to Versailles 1870 Foundation E.G.Buhrie Collection, Zurich
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Camille Pissaro Girl Sewing 1895 Art Institute of Chicago
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Camille Pissaro The Railway Bridge, Pontoise 1873
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Camille Pissaro La Cote des Boeufs, The Hermitage 1877 National Gallery, London
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Camille Pissaro The Pork Butcher 1883 Tate Gallery, London
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Camille Pissaro
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1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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